TOKIO MONOGATARI

by Ilse Leenders

Tokyo Monogatari is a personal project inspired by the typical aspects of the daily contemporary life and the traditional cultural heritage of Tokyo. The atmosphere of the city is visualized by the synthesis of these different elements.

The series expresses at one side the habitual rituals of the citizens of Tokyo nowadays and at the other hand the exaggeration of bodily shapes drawn in the ancient manga sketches of Hokusai and shown in the movements of the performers in Noh- and Kabuki theater and the ‘hidden’ puppeteers of Bunraku in a photographic manner.

This project was made possible by: Tokyo Wonder Site, Japan and The Netherlands Foundation for Visual Arts, Design and Architecture.

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19 Responses to “TOKIO MONOGATARI”

 

  1. Laura Brown says:

    beautiful photo!

  2. Koen says:

    Beautiful pictures!

  3. Marijn Kruk says:

    Très beau!

  4. lous says:

    superbe!

  5. rob/elly says:

    beautifull

  6. Philip says:

    beautiful thigs in the air…

  7. wilma hornsveld says:

    it’s a beautiful picture

  8. Fumin says:

    Nice hands!! No.03!

  9. Eliane Roest says:

    love it!

  10. rudi wester says:

    really amazing, those photos by Ilse Leenders!

  11. rudi wester says:

    really amazing

  12. Hendrik Jan Hilbolling says:

    *´¯`*.¸¸.*´¯`*.¸¸.*´¯`*.¸¸.*´¯`*.¸¸.*´¯`* époustouflant *´¯`*.¸¸.*´¯`*.¸¸.*´¯`*.¸¸.*´¯`*.¸¸.*´¯`*

  13. marijke says:

    very beautiful !

  14. anneke says:

    very creative, compliments!

  15. Nice photos, great project!

  16. [...] Ilse Leenders lives and works in Rotterdam, The Netherlands. Leenders was recently awarded the 2nd Prize Conceptual Jury Vote in Viewbook’s Photostory competition for her series, Tokyo Monogatari. Of this series she says,’Tokyo Monogatari is a personal project inspired by the typical aspects of the daily contemporary life and the traditional cultural heritage of Tokyo. The atmosphere of the city is visualized by the synthesis of these different elements. The series expresses at one side the habitual rituals of the citizens of Tokyo nowadays and at the other hand the exaggeration of bodily shapes drawn in the ancient manga sketches of Hokusai, shown in the movements of the performers in Noh- and Kabuki theater and the ‘hidden’ puppeteers of Bunraku in a photographic manner’. [...]



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